Alicia Keys Albums
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Alicia Keys
A few things that these types of album do. You've got yourself a producer or seven, lots of top session guys, a few guest stars. State of the art contemporary r'n'b production and writers, etc, etc. The actual artist themselves almost seem immaterial. Hence a lot of modern r'n'b sounding the same. It's rare that the artist actually IS an artist. Alicia can co-produce, she can write entirely her own material. The best song here was written by Alicia alone and that's warming and promising for her future development. She's a classically trained pianist, by the way - in case you didn't already know. So, the album opens with a piece of her playing classical piano over which soulful backing vocals appear as she speaks over the music. "Flip it" she says, then the hip-hop beats come in. Classical piano, soul vocals and hip-hop. This is very much just a prelude to the album proper but it's pretty damn beautiful and striking. A great way to open your debut album. After which we get 'Girlfriend', merely competent modern r'n'b - that's all. Pretty good, but nothing that we haven't heard done before and done better. Catchy song, though. The most striking and brilliant moment on the album is reserved for that one very special Alicia penned tune, 'Fallin'. You may have heard it, it was a huge hit absolutely everywhere. It works, plain and simple. She isn't the greatest soul singer ever, not at all, but she's not bad. She's got the technique if not quite the voice. So, she sings over herself, layered vocals. Her piano provides the bedrock of the track and the vocals do indeed 'fall'. It's a song that perhaps shouldn't work and if it was, I don't know, some lesser artist, wouldn't have worked. She brings such conviction to the piece however, that yeah, this is great modern soul, no question.
The Diary Of Alicia Keys 8 ( 2003, UK pos 13 ) Harlem's Nocturne / Karma / Heartburn / If I Was Your Woman - Walk On By / You Don't Know My Name / If I Aint Got You / Diary / Dragon Days / Wake Up / So Simple / When You Really Love Someone / Feeling U, Feeling Me / Slow Down / Samsonite Man / Somebody Not Really / Streets Of New York Ah, ok. OK! She's moved on. She's progressed, which is obviously a great thing to see an artist doing. On the face of it, this album is structured exactly the same as her debut, with the inherent flaws intact. Hence, it's too long. Too many songs are generic thanks to the team of producers and co-writers, although I shouldn't be too harsh. Those guys help Alicia to create one of the finest moments soul music has produced in the past twenty years. No, i'm not overstating anything - the past twenty years, Erykah Badu apart, haven't produced a great deal, actually. At least, not a great deal worth speaking of. Well, once we reach 'You Don't Know My Name', all six minutes of it ( it contains a two minute spoken word section and was a hit single, too! ), an open-minded listener really should have little choice but to bow down and surrender. This is gorgeous, utterly beautiful and stunning. Pure fantasy, deliriously joyful fantasy and true soul music of the highest order. Her voice sounds improved, on this song especially. The backing harmonies are lovely, the structure of the song, even incorporating the spoken word section, natural. Ah, the spoken word section, pure teenage fantasy and romance. It's not cheesy for one section, it really does work. The harmonies, her piano. Her damn sexy voice, she sounds very sexy speaking with that accent of hers. Ah. AH!!!
As I Am 7½ ( 2007, UK pos 14 ) As I Am / Go Ahead / Superwoman / No One / Like You'll Never See Me Again / Lesson Learned / Wreckless Love / The Thing About Love / Teenage Love Affair / I Need You / Where Do We Go from Here / Prelude to a Kiss / Tell You Something (Nana's Reprise) / Sure Looks Good to Me Do you remember Four Non Blondes? Hopefully for your sake, you don't. How on earth did Linda Perry become a songwriter for hire? Yes, Linda Perry co-writes three of the songs here whereas I personally wouldn't have let her anywhere near an Alicia Keys album. As for Alicia, she enjoys a growing reputation. Sadly, you know you've 'made it' when American Idol/X-Factor contestants start singing your songs. For this third LP, Alicia uses fuller band arrangements than before yet still firmly falls into the R&B/New-Soul arena. Her lyrics come across like an afterthought, yet the simplicity in these lyrics do lend towards a timeless quality. Her trademark piano sound is far more in the background here, yet she still manages to do all sorts things, including arranging, playing Harpsichord, Moog, Fender Rhodes, Synthesizer Bass, Wurlitzer and string programming. Not too bad. So, which songs does the odious Linda Peters contribute to? Well, the first of them up is 'Superwoman'. Soft, tinkling ivories open the tune, Alica is in very fine voice when the vocals come in. This is a genuinely soulful tune, it's hard to see what Linda might have contributed, apart from perhaps the lyrics? 'The Thing About Love' is a Keys/Perry co-write. It's initially a slow ballad that eventually rises to rockier climes with Alicia belting out the vocal. It appears to be a song designed for a live setting, in which it would no doubt work well. On record, the drama appears slightly forced. It's a very similiar kind of tune actually to the album closer, the other Perry co-write. Same kind of structure and same end of song tornado, this time with a full band including distressing, clattering drums. this page last updated 27/11/07 MP3 Streaming | Message Board | News & Articles | Music Review Sites | Poetry | Ratings At A Glance Readers Comments | Shorts & Promos | Singles Bar | Top 100 Albums | Updates/New
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