Peter Hammill
Albums
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Peter Hammill
album reviews
Fools Mate 8½ ( 1971 )
Imperial Zeppelin / Candle / Happy / Solitude / Vision / Re-Awakening / Sunshine / Child / Summer Song (in the Autumn) / Viking / The Birds / I Once Wrote Some Poems
Peter Hammill of Van Der Graaf Generator put together 'Fools Mate' as a solo project. These were older, 'orphaned' songs he'd written which he felt didn't quite fit the direction Van Der Graaf Generator were moving towards. Having said that, all of Van Der Graaf Generator play on the album at some stage, Robert Fripp of King Crimson plays guitar and a couple of members of label-mates Lindisfarne appear. On the face of it, this is a project rooted in vanity - bunch of old knock-offs released under the name Peter Hammill rather than Van Der Graaf Generator? Dig deeper though and you realise the dubious roots of this project are utterly transcended. In short, this is a unique album and a shining testament to the talents of not only Peter Hammill, but the marvellous incarnation of Van Der Graaf Generator he'd assembled at the time.
The following LP proper, Van Der Graaf's 'Pawn Hearts' could not be more different to this debut Hammill 'solo' LP. There is no overriding theme here, the songs are short, usually upbeat and relatively simple. Thing is though, absolutely nobody was making solo albums like this back in 1970. It wasn't the done thing, perhaps only David Bowie really came close to Hammill for vision and originality? Even though the second half of 'Fool's Mate' isn't a patch on the first half, this is still an LP of rare quality, a quality only a fraction of younger artists around today can even imagine. If all of this paragraph feels like i'm a Peter Hammill cheerleader completely lacking in subjectivity, then perhaps I am. Music that strikes a particular emotional chord within oneself cannot always be easily explained away in very objective, scientific terms.
The lyrics have attracted certain critiscm, certainly when compared to latter Hammill lyrics, for their simplicity and at times, naviety. Having said this, I quite disagree with that assessment myself. Take the following "Doesn't that sound simply super, Zeppelin visions of the future?" - we really should take this in the context of an upbeat, jumping and pounding full band playing piano, brass and speed, squealing with delight. We also need to be mindful of the deliriously chanted "Imperial Zeppelin, Imperial Zeppelin, Imperial Zeppelin!" hook line. What does it all mean? Well, it doesn't I imagine refer to Led Zeppelin, since these lyrics were written in 1967. Read the lyrics yourself, dissect them by all means. I'm more concerned with the images painted, with the vocal tones and emotions expressed. 'Vision' for instance has lyrics which seem a little like sixth form poetry yet when you think about this a little longer you realise that today's artists still struggle to match such sincere poetics. Well, it's a love song after all and it's a love song that works. Hammill himself has a special place in his heart for 'Vision', still singing it in concerts today.
'Re-Awakening' is my pick of the bunch here alongside 'Vision', 'Imperial Zeppelin' and perhaps 'Summer Song'. I like the line 'Re-awakening isn't easy when you're tired' and I like the grand, sweeping sounds the musicians create. You could record a wholly orchestral version of this and it would sound great. Hammill could also just as easily play it straight by himself, on Piano or Guitar and still get his points across. David Bowie had 'Changes' and 'Life On Mars' to propel him towards stardom, easily assimilated songs that dared to dream. Hammill dared to dream, as 'Vision' and 'Re-awakening' demonstrate but for some reason didn't connect with a wider public. Still, I like the fact that there are murky, largely un-noticed corners of the 'rock/pop' canon still awaiting wider exploration, even in this century of 'always on, everything instantly accessible, even Leonard Cohen is a household name' musical melting pot.
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this page last updated 06/01/10
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