Kaiser CheifsAlbums
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Kaiser Cheifs
Blur launched Britpop, or at least 'made' Britpop with 'Modern Life Is Rubbish' and 'Park Life'. They had this combination of XTC, Kinks, etc, etc. It was a combination of influences not neccesarily put together in the same package before. Especially as Blur added their own personality to the music they were creating. The problem with bands like Kaiser Chiefs is they are taking influences from bands that were influenced by other bands. Eg, a little Blur, a little bit Futureheads, a little bit this and that. The electro influences are common with a lot of bands these days, throw a bit of 80s kitsch onto the record, you know? It comes across as a dot to dot of how to make a cool sounding record. The problem is, with nothing personality wise coming from the band, what is there to distinguish them from other new bands that have popped up lately? Even the derivative likes of Interpol and Futureheads have at least something to make them slightly distinctive in the modern market-place. Everyone wants to be the new Franz Ferdinand, it seems. Kaiser Chiefs aren't the new Franz Ferdinand, in fact, to be fair to them, i've never read that they ever wanted to be. But, they are a typical corporate creation. An indie-creation, which never used to happen during indie music's halycon days in the 1980s. Having said all of this, there is nothing terribly wrong with the music created on this debut album of theirs. It's light, modern music with a touch of humour and a definite way with a melody and hook. Nothing original at all, but it will pass the time if you aren't too selective and haven't already got Franz Ferdinand or Futureheads. Or, perhaps you do have those records and want more, as hey, you don't really listen to soul music, or 60s, 70s music and this whole scene actually IS new to you? I have the disadvantage of age. When music first hits you, everything is new. Whether it actually is, or not. It's a process we all go through. When I was 12/13, it was The Stone Roses, Happy Mondays, Ride, etc, etc. My elder brother could see what Ride were doing and their obvious Jesus and Mary Chain influences. I couldn't, at the time. I'm still fond of all of those bands, some stood the test of time better than others. The same will be true of todays crop of bands. Will Kaiser Chiefs be amongst the crop that stand the test of time? Well, only time will tell. I'm doubtful, personally. There have been better albums in this vein released in the past few years, already. Yours Truly Angry Mob 7½ ( 2007 ) Ruby / The Angry Mob / Heat Dies Down / High Royds / Love Is Not A Competition / Thank You Very Much / I Can Do Without You / My Kind Of Guy / Everything Is Average Nowawdays / Boxing Champ / Learnt My Lesson Well / Try Your Best / Retirement Everybodies happy nowadays to have mediocre music, especially from their favourite acts because they'll be another one along next week when we lose interest. We don't care, Kaiser Chiefs have tried to tackle this malaise by releasing a song titled 'Everything Is Average', which is a snappy title, a decent song surprisingly as the band appear, shockingly, to have grown. True, it's a piece of Futureheads/Franz Ferdinand styled angular rock, but whatever. Seemingly, the general public can't get enough of early XTC. Which is odd, because XTC are precisely the one band not benefitting from all of this rampant love-in for the post-punk, new wave scene. The Kaisers appear to have put more effort in both lyrically and musically this time around, though. Lyrically they appear to actually have something to say, witness 'The Angry Mob' or indeed 'Everything Is Average Nowadays'. Musically, they seem slightly more refined and a little less dumb with their riffs and guitar lines than before. The rhythm section sound lumpen and clumsy, but we can't have everything now, can we? There was nothing as good as 'Love Is Not A Competition' on 'Employment', certainly not as good for an apparent piece of album filler. It's good enough to be no such thing, the lyrics being about something married to acoustic/semi-acoustic guitars work very well. 'High Royds' is more familiar territory, a chantable anthem in the making. 'Try Your Best' is initially a dreary ballad and it appears that's one area they still need to work on, but now we want to stick around to find out if they succeed. That's an imporant difference, I feel.
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