LCD SoundsystemAlbums
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LCD Soundsystem
Not many artists have ever admitted to being influenced by the drunken dour northern punk sound of Mark E Smith and The Fall. This has always been a big bug-bear of Mark E Smith's. So, it was refreshing for me as a huge fan of The Fall to read an interview with the head honcho behind this LCD Soundsystem project and to find him make no bones about his growing up in NYC and his being a huge fan of The Fall. And, apart from the techno and the electroclash, there are obviously slabs of punk Fall influence present on this debut set as well. Happily so as far as i'm concerned. We'll take a few tracks for a start to give you some idea. Well, the couple of more obviously Fall influenced tracks, at least. 'Movement' starts with a pumping techno beat before the vocals enter just ten seconds or so into the track. The singer starts to slightly mumble his words. The 'uh' thing that Mark E Smith does? That 'uh' closes every other line the singer vocalises. Plus, after around a minute and a half the whole song just deliriously explodes into the most joyous guitar sound. The singer keeps going, more guitar enters, clearly 'punk' guitar. Punk guitar taken from The Fall, rather than The Ramones. Plus, a wall of noise, a wall always clearly tied to the songs main melodic thread. It's noisy, but it ain't no mess! 'On Repeat' lasts for eight minutes and is based upon, strangely enough, repetition. Ah, repetition!! Still, we have variety here. Stellar album opener 'Daft Punk Is Playing At My House' mixes disco, dance, techno and rock. 'Disco Infilatrator' vaguely sounds like the kind of happy crossover track that 'Electric Six' produced in 2004 with several of their hit singles. It works!
Sound Of Silver 8 ( 2007 ) Get Innocuous / Time To Get Away / North American Scum / Someone Great / All My Friends / Us v Them / Watch The Tapes / Sound Of Silver / New York I Love You Do dance acts ever truly evolve? Orbital made fine attempts at evolution but went past the point of being any fun anymore, so later albums were less than earlier albums even if technically they appeared to be more technically gifted affairs. There is a certain time when any kind of act goes past the point technically that they should. Early fumblings towards greatness can acidentally provide greatess. Not knowing exactly what you are doing can be a great provider of creativity. Knowing exactly what you are doing and being a master of your craft provides Eric Clapton, knowing but extremely dull. From the sounds of this release, LCD Soundsystem are still happily fumbling in the darkness in search of what they are looking for. Although inconsistent, 'Sound Of Silver' does indeed provide us with a couple of apparently lucky moments of greatness. On top of this James Murphy provides us with more flashes of 1980's Manchester, the New Order theatrics of 'All My Friends' and the circa 1992 fall-esque 'Watch The Tapes'. Oh and David Bowie. Someone else made the comparison, but the way the vocals and beats are presented on 'Get Innocuous' do remind of David Bowie immediately post Tin Machine when he was trying to be all trendy and re-establish himself. Despite some solid if dated sounding beats, it's not half the opening to an album 'Daft Punk Is Playing At My House' was. 'Time To Get Away' is much better, that squeaky squelchy LCD Soundsystem vocal/beats approach getting right back into the action. After the rather too attention seeking 'North American Scum', we reach the real emotional heart of the album, though. 'Someone Great' and 'All My Friends' are both superb and prove once and for all, as if proof was even needed, that dance music can be as emotional as the best of them.
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