adriandenning.co.uk
album reviews

Tounami Diabaté



The Mandé Variations 8½ ( 2008 )
Si Naani / Elyne Road / Ali Farka Toure / Kaunding Cissoko / Ismael Drame / Djourou Kara Nany / El Nabiyouna / Cantelowes

'The Mandé Variations' is only the second purely solo record of Tounami Diabaté's career. It's a return to the traditional, yet also sees a couple of weaving inventions, particularly on his tribute to the late Ali Farka Toure. 'The Mande Variations' as a title refers to Mali's ancient Mandé empire, founded back in 1235. Tounami himself is said to be descended from some 70 generations of Kora players, so he should know what he's doing! Indeed, he is a master of his instrument. There is no other sound on this album than Tounami playing his Kora. At times, it is utterly bewitching and hypnotic as his creates overlapping sounds demonstrating the flexibility of the instrument. The ten minute opener 'Si Naani' is almost enough of its own. We've twenty one strings remember for Tounami to play with on his Kora and he uses those strings here to create some deep, resonating bass notes whilst he trills away in the higher register playing some melodies which almost seem to be classically inspired. 'The Mandé Variations' isn't an album the rock and pop fan will easily be able to assimilate, incidentally. It requires concentration and also a love of pure melody for the sake of melody. There are no tricks, everything is recorded live and 'as is'. It's clear from parts of the album the journey Tounami has been through as he works in Jazz touches here and there whilst other parts seem almost eatern in their bewitching majesty.

Fellow Malian 'Ali Farka Toure' gets a tribute in the form of 'Ali Farka Toure', appropriately enough. A sad loss to the music world, Tounami plays tribute to him by seemingly getting totally lost in pure sound, runs through scales, faster and faster then stopping for reflection before retreating to bare landscapes and pure soul. 'Kaunding Cissoko' is a happy weaving of sounds with the kora bass sounds promiment. It's a lovely piece and quite different from either 'Si Naani' or 'Ali Farka Toure'. 'Kaunding Cissoko' seems to be lighter in mood and although retains astonishing complexity through the intricate patterns Tounami creates, those bass melodies resonate and places images of sunsets in your mind amid happy times. The closing track 'Cantelowes' really does demonstrate the beauty of the Kora harp. A soft, gentle track yet Tounami still picks out two or three different melody lines to complement one another whilst the bass notes here sound lovingly reflective. It's enough to fall in love with, that's for sure. Whilst newcomers may find it easier delving in to one of Tounami's collaborative albums, those that wish to seek out the pure sounds of the Kora, one of the worlds great instruments, will find few better examples of it than the eight tracks that comprise 'The Mandé Variations'.

Share Your Views?