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Townes Van Zandt
Townes Van Zandt came from a wealthy family and was groomed for Texas governership. Instead, he dropped out of college in the 60s after being inspired by singer-songwriters. Of MENSA intelligence he was diagnosed as a manic-depressive in his early twenties. Shamfully given insulin shock therapy, his long term memory was erased. Being diagnosed as a manic depressive is one of the worst things that can happen to a man. One in three people with a serious mental health problem are in debt. Importantly, Townes didn't like the way this album was recorded. It was recorded with what the record label thought were commercial 'folk/rock' arrangements. Townes would later go onto re-record many of the songs on this album, always striving for perfection. He drank a lot of alcohol and after the Seventies, recorded at a very leisurely pace. Bob Dylan and others greatly admired his songs and he became something of a cult-legend. He didn't really like himself at times. The one review on rateyourmusic.com at the time of writing of this debut album is a single sentence, as follows It contains many good songs, but suffers from some bizarre arrangements. which basically sums up how this album has been perceived since day one. Bizarre arrangements? What, bass and drums? There's nothing 'bizarre' about these arrangements except that they interferred with Townes sense of authenticity, always important to him. My take on the album is that it's perfectly and resonably the work of a man recording his debut album who wasn't quite confident enough to tell the producers what he did and didn't want to do. The Dylan and Hank Williams influences combine with a set of tastefully arranged songs to produce a near masterpiece. The opening cut for example comes across as Dylan circa 'Blonde On Blonde' only with flute replacing organ. The second track, the stunning melancholy of 'Kathleen', witnesses thick ominous strings combine with Townes voice and guitar to wonderful effect. The third song has more rhymes, alliteration and symbolism than a Dylan based lyrics dictionary, and is rather a lot to take lyrically all in one go. Marvellous poetics though, Townes was a guy that really could write. The delicate and sweet 'Like A Summer Thursday' sees Townes, guitar and harmonica and nothing else other than a gentle sway and a painting of a beautiful lady in words. I could just carry on and review this thing track by track, because every single track deserves mention. I shan't though, suffice to say this is an album of highlights and there's enough variety considering the delivery of the vocals in the music to ensure nobody should ever get bored. We've got three 'mountain' songs, something that comes up a lot in thw writing of 'Townes Van Zandt. Well, mountains are the nearest we can get to heaven on earth. Through history, mountains have represented eternity, firmness and stillness. The folky title track is a cautionary tale So walk these hills lightly, and watch who you're lovin' / By mother the mountain / I swear that it's true / Love not a woman with hair black as midnight / And her dress made of satin / All shimmering blue. What do you notice from those lyrics? Well, they are fine poetry yet also have meaning. Listen to the whole song to make sense of them. These aren't just songs, they have a depth rare in modern songwriting. Well, in modern writing, almost non-existant. |

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